Moneyball National Chart
Chart Explain 2/14/2022
Last week’s 3 songs on the move included Sanctus Real, Danny Gokey and Jordan St. Cyr, and if not for Katy Nichole taking a note out of Anne Wilson’s playbook, those three would have stayed the same this week.
We Are Messengers stays on top of it all this week, with other very consistent titles in the Top 15 from FK&C, TobyMac, Ryan Ellis and MercyMe.
God loves you and writes you a new Valentine daily.
The Moneyball Chart Methodology
Instead of one chart that focuses specifically on airplay, the Moneyball Chart combines airplay with sales, streaming and research for the purpose of finding the Momentum in Music, which is most times the differentiator on songs that stall and the ones that continue to chug along.
The Moneyball Chart is created based on a points system, where each column of information can add a maximum of up to 10 points for that column, with the points from each column adding to the overall totals.
The Moneyball Chart is an indicator of songs that are working; songs that are bearing fruit and therefore the Moneyball Chart, may have drastic differences from the charts you have become accustom to, revealing some artists and titles in a higher position much earlier than they show up on the airplay charts, and also, often songs that have moved to recurrent on most of our playlists continue to show fruit indicating that we may have retired those titles too early.
The Moneyball system works Nationally, or locally, so if you are interested in seeing what this information looks like specific to your station, specific to your market and your competitive situation, let us create a custom sample for your station specifically. Email Rob Wagman StraightPathMandE@gmail.com
One thought on “Moneyball National Chart”
Absolutely stunned at the struggle Patrick Mayberry’s “Holy Spirit, Come” is having; it and maybe three others (all also struggling) are the only current songs I’m excited to hear, these days.
It’s not that I dislike (all of) the rest, but I’m pretty bored.
Is it me, or is it us? Can’t be us, can it?